2 successive performances of Ludwig van Beethoven’s Turkish March from “Die Ruinen von Athen”, arranged by Richard Blackford for 8 pianos. Played by Gina Bachauer, Jorge Bolet, Jeanne-Marie Darré, Alicia De Larrocha, John Lill, Radu Lupu, Garrick Ohlsson and Bálint Vázsonyi at a Gargantuan Pianistic Extravaganza in London, 1974.

Ludwig van Bethoven – Concerto para violino

Itzhak Perlman, Violino
Berliner Philharmoniker Daniel Barenboim, Regente

Konzert für Violine und Orchester D-dur op. 61
concerto per viole ed orchestra in Re maggiore op. 61
concert for violin and orchestra D major op. 61
concert pour violon et orchestre Ré majeur op. 61
concierto para violín y orquesta en Re mayor op. 61

I. Allegro ma non troppo
II. Larghetto
III Rondó, Allegro

Grandsaal Musikverein, Wien, Österreich

Triple Concerto Choral Fantasy – Beethoven

Daniel Barenboin;
Yo Yo Ma;
Itzhak Perlman;
Dtor. Daniel Barenboim

Concertos para piano de Beethoven

ABOUT THE PIANO CONCERTOS BY BEETHOVEN

Piano Concerto No. 1 in C major, op. 15

Ludwig van Beethoven’s Piano Concerto No. 1 in C major, op. 15, was written during 1796 and 1797. The first performance was in Prague in 1798, with Beethoven himself playing the piano, dedicated to his student Babette Countess Keglevics.
Although this was Beethoven’s first piano concerto to be published, it was, in fact, his third attempt at the genre, following an unpublished piano concerto in E-flat major (not to be confused with Beethoven’s more famous “Emperor” concerto, also in E-flat) and the Piano Concerto No. 2, published after Piano Concerto No. 1 (in 1801) but composed almost ten years earlier.
More: http://en.wikipedia.org/wiki/Beethoven_Piano_Concerto_No._1

Piano Concerto No. 2 in B-flat major, Op. 19

The Piano Concerto No. 2 in B-flat major, Op. 19, by Ludwig van Beethoven was composed primarily between 1787 and 1789, although it did not attain the form it was published as until 1795. Beethoven did write another finale for it in 1798 for performance in Prague, but that is not the finale that it was published with. It was used by the composer as a vehicle for his own performances as a young virtuoso, initially intended with the Bonn Hofkapelle. It was published in 1801, by which time he had also published the Piano Concerto No. 1 in C major, although it had been composed after this work, in 1796 and 1797.
The B-flat major Piano Concerto became an important display piece for the young Beethoven as he sought to establish himself after moving from Bonn to Vienna. He was the soloist at its premiere on 29 March 1795, at Vienna’s Burgtheater in a concert marking his public debut.] (Prior to that, he had performed only in the private salons of the Viennese nobility.) While the work as a whole is very much in the concerto style of Mozart, there is a sense of drama and contrast that would be present in many of Beethoven’s later works. Beethoven himself apparently did not rate this work particularly highly, remarking to the publisher Franz Anton Hoffmeister that, along with the Piano Concerto No. 1, it was “not one of my best.” The version that he premiered in 1795 is the version that is performed and recorded today.
More: http://en.wikipedia.org/wiki/Beethoven_Piano_Concerto_No._2

Piano Concerto No. 3 in C minor, Op. 37

The Piano Concerto No. 3 in C minor, Op. 37, was composed by Ludwig van Beethoven in 1800 and was first performed on 5 April 1803, with the composer as soloist. During that same performance, the Second Symphony and the oratorio Christ on the Mount of Olives were also debuted.[1] The composition was dedicated to Prince Louis Ferdinand of Prussia. The first primary theme is reminiscent of that of Mozart’s 24th Piano Concerto.
The concerto is scored for 2 flutes, 2 oboes, 2 clarinets in B-flat, 2 bassoons, 2 horns in E-flat, 2 trumpets in C, timpani, strings and piano soloist.
More: http://en.wikipedia.org/wiki/Beethoven_Piano_Concerto_No._3

ABOUT BEETHOVEN

Ludwig van Beethoven ( /ˈlʊdvɪɡ væn ˈbeɪt.hoʊvən/; German pronunciation: [ˈluːtvɪç fan ˈbeːt.hoːfən] ( listen); baptized 17 December 1770[1] — 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers.
Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire, Beethoven moved to Vienna in his early 20s, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. His hearing began to deteriorate in his late twenties, yet he continued to compose, conduct, and perform, even after becoming completely deaf.
More: http://en.wikipedia.org/wiki/Ludwig_van_Beethoven

ABOUT DANIEL BARENBOIM

Daniel Barenboim, KBE (born 15 November 1942) is an Argentine-born pianist and conductor. He has served as music director of several major symphonic and operatic orchestras and made numerous recordings.
Currently, he is general music director of La Scala in Milan, the Berlin State Opera, and the Staatskapelle Berlin; he previously served as Music Director of the Chicago Symphony Orchestra and the Orchestre de Paris. Barenboim is also known for his work with the West-Eastern Divan Orchestra, a Sevilla-based orchestra of young Arab and Israeli musicians, and as an outspoken critic of the Israeli occupation of Palestinian territories.
Barenboim has received numerous awards and prizes, including Britain’s Knight Commander of the Order of the British Empire, France’s Légion d’honneur both as a Commander and Grand Officier, the German Großes Bundesverdienstkreuz and Willy Brandt Award, and, together with the Palestinian-American scholar Edward Said, Spain’s Prince of Asturias Concord Award. He has won seven Grammy awards for his work and discography.
More: http://en.wikipedia.org/wiki/Daniel_barenboim

Sonata ao Luar – Beethoven – Nelson Freire

Beethoven, Symphony No 7, II Karajan, Filarmônica de Berlim

Arabella Steinbacher – Beethoven Violin Concerto

Hélène Grimaud – Beethoven – Piano Sonata Nº 31 Op. 110

Piano Concerto No. 4 in G major, Op. 58. – Beethoven

“The Amnesty International Concert”

Conductor: Leonard Bernstein
Piano Soloist: Claudio Arrau
Orchestra: Bavarian Broadcast Symphony Orchestra
Venue: Munich, Germany.
Date: 17/10/1976

I. Allegro moderato
II. Andante con moto
III. Rondo. Vivace

Ludwig van Beethoven (1770 – 1827)
Claudio Arrau (1903 – 1991)
Leonard Bernstein (1919 – 1990)

LUDWIG VAN BEETHOVEN – Piano Concerto No. 4 in G major, op. 58

Maurizio Pollini, piano
Lucerne Festival Orchestra
Claudio Abbado, conductor

Alfred Brendel, piano
Lucerne Festival Orchestra
Claudio Abbado, conductor

0h01′00″ – 0h36′35″
LUDWIG VAN BEETHOVEN
Piano Concerto No.3 in C minor, Op. 37
01:03 I. Allegro con brio
17:58 II. Largo
27:25 III. Rondo. Allegro

0h39′45″ – 1h40′55″
ANTON BRUCKNER
Symphony No. 7 in E major
39:49 I. Allegro moderato
58:53 II. Adagio
1:19:32 III. Scherzo. Sehr schnell
1:28:56 IV. Finale. Bewegt, doch nicht schnell

Recorded live in Lucerne at the Concert Hall of the Culture and Concention Centre, on 10-12 August 2005

L. van Beethoven – Koncert skrzypcowy D-dur op. 61/L. van Beethoven – Violin Concerto in D major, Op. 61.
Opera i Filharmonia Podlaska Europejskie Centrum Sztuki/The Podlasie Opera and Philharmonic European Art Centre.
Jose Ferreira Lobo – dyrygent/conductor.
Emanuel Salvador – skrzypce/violin.
Orkiestra Opery i Filharmonii Podlaskiej/The Podlasie Opera and Philharmonic Orchestra.

Maurizio Pollini – Claudio Abbado – Beethoven: Piano Concerto No. 4

Maurizio Pollini, piano
Lucerne Festival Orchestra
Claudio Abbado, conductor

LUDWIG VAN BEETHOVEN
Piano Concerto No. 4 in G major, op. 58
00:28 I. Allegro moderato
17:18 II. Andante con moto
21:49 III. Rondo (Vivace)

Recorded live in Lucerne, Kultur und Kongresszentrum, 18/19 August 2004

Sonata para violino e piano n° 9 de Beethoven – Anne-Sophie Mutter e Lambert Orkis, ao piano

Sviatoslav Richter, piano
Mstislav Rostropovich, cello

BEETHOVEN

Usher Hall, Edinburgh, 1964

Sonata in Fmaj Op.5 No.1, in G maj. No.2

Sonata in A maj. Op 69

Sonata in C maj. Op. 102 No.1

Sonata in D maj. Op.102 No. 2
——————————————-

Sviatoslav Richter, piano

MENDELSSOHN

Variations Serieuses op.54

3rd movement, Beethoven Sonata for Piano and Violoncello No.5 in D major, Op.102-2, Cello: Mischa Maisky Piano: Martha Argerich

Concerto para violino y orquesta de Beethoven – Isaac Stern – Abbado – Orchestre National de France

Beethoven – Triple Concerto para Piano, Violino e violoncelo – Barenboim, Yo-Yo Ma e Perlman

Beethoven: Piano Concerto Nº 4 – Nelson Freire e Roberto Tibiriçá

Sonata para piano “Les Adieux”, de Beethoven – Kimball Gallagher

Michelangeli – Beethoven – Sonata N° 12 Op. 26

Michelangeli – Beethoven sonata nº 3

Diretor : Leonard Bernstein
Pianista : Krystian Zimerman
Orquesta: Wiener Philharmoniker

Ludwig Van Beethoven – Piano Sonata No. 32 in C minor, Op. 111 – Claudio Arrau

Sviatoslav Richter – Beethoven Sonata No. 1 in F minor, op. 2